At the turn of the millennium, the band shifted away from lengthy psychedelic instrumentals. Wilson focused heavily on traditional, melancholic pop-rock songwriting, backed by lush, pristine instrumentation. Stupid Dream (1999)
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They greeted Jonah as a known stranger. He was given a seat, a set of vintage headphones, and a slip of paper with the next instruction: "Tonight we listen to what the gaps hold." Over the projection, the waveform of a track pulsated; in its black spaces, something like speech emerged—intermittent, fragile. The group called it "the in-between." They believed the spaces in songs—silences, fade-outs, tape hiss—contained remnants of decisions not made, alternate endings of performances, small ghosts of what could have been. At the turn of the millennium, the band