Can - Future Days -1973- Remaster -2005- Flac -...

The quiet passages in “Spray” and “Bel Air” contain information at very low levels. MP3 encoding throws away “inaudible” frequencies. For CAN, those frequencies are the entire point . The sound of the tape hiss, the room’s air, the feedback dying out—that’s the texture.

Supervised by Holger Czukay and engineered by Andreas Torkler at Sonopress, the 2005 remaster was sourced directly from the original stereo master tapes and released as a hybrid SACD. For digital audiophiles, extracting this master into format became the gold standard for listening. The differences in the 2005 FLAC remaster are profound: CAN - Future Days -1973- Remaster -2005- FLAC -...

It is often described as ambient krautrock, where percussion and marimbas rise through the mix like bubbles, and Irmin Schmidt’s keyboards create a fluid, dreamlike environment. The quiet passages in “Spray” and “Bel Air”

The remaster significantly increases the clarity of Jaki Liebezeit's intricate drumming and Irmin Schmidt’s spatial synthesizer work. The sound of the tape hiss, the room’s

The 2005 remaster is flat. Let it speak for itself. If you find yourself reaching for the bass boost, your playback chain is the problem, not the file.