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The sub-bass and kick drums are given more weight and authority without bleeding into the mid-range.

While a standard CD samples audio 44,100 times per second, a 96kHz file doubles that rate. This captures the ultra-high frequencies and fast transients (the initial hit of a drum or the pluck of a string) with immense accuracy, eliminating the digital harshness often associated with early 1990s digital mastering. Deconstructing the Sonic Landscape of the 2014 Remaster michael jackson dangerous 2014 flac 2496