The late 1980s and 1990s saw a wave of films dismantling the romanticism of the Tharavadu (ancestral feudal homes). Writers like M.T. Vasudevan Nair used cinema to critique the decay of the feudal system, patriarchy, and the oppressive caste hierarchies inherent in old Kerala society.
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The inception of Malayalam cinema in the 1930s, beginning with Vigathakumaran (1930), was marked by an engagement with mythological themes and historical romances. However, even in these early stages, the influence of Kerala’s reformist movements—led by figures like Sree Narayana Guru and Ayyankali—began to permeate the narrative structures. Early films like Balan (1938) and the works of the Travancore National Pictures often subtly addressed the rigidity of the caste system, mirroring the socio-political climate of the princely states. The late 1980s and 1990s saw a wave