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Popularized the "binge-watch" model and forced traditional Hollywood to pivot toward direct-to-consumer apps. Amazon MGM Studios

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However, it would be reductive to claim this model produces only garbage. When executed with genuine vision, the franchise model can yield remarkable art. Andor (Disney+/Lucasfilm) stands as a counter-argument: a slow, politically complex spy thriller that happens to be set in the Star Wars universe. Similarly, Spider-Man: Across the Spider-Verse used its IP status not as a crutch but as a canvas for revolutionary animation and complex meta-commentary on heroism. The difference lies in intent. These productions treat the IP as a setting, not a straitjacket. They prioritize authorial voice and thematic depth over checklist fan service. The problem is not the existence of franchises; it is the monopolistic dominance of the franchise mentality . When executed with genuine vision, the franchise model